LAX(2004)

Notorious Los Angeles defense attorney Sebastian Stark becomes disillusioned with his career after his successful defense of a wife-abuser results in the wife's death. After more than a month trying to come to grips with his situation, he is invited by the Los Angeles district attorney to become a public prosecutor so he can apply his unorthodox-but-effective talents to putting guilty people away instead of putting them back on the street.

Nine people are caught in a bank robbery gone wrong and endure a 52-hour hostage standoff that will leave more than one person dead. They will be forever affected and intertwined because of it.

Yoko, a sort of modern tomboy, almost by chance gets her sights set stubbornly on becoming a Cabin Attendant (CA), a type of woman the men are all fond of, but a role which is completely out of character for her. (This is a drama about young people including a girl who wishes to work on the stage of big sky) The headstrong Yoko Misaki (Aya Ueto) is a boyish girl who loves rock’n roll but hates dishonesty and has never once worn high heels. A chance comment by one of her friends causes her to aim for the job of a cabin attendant on an airline, which is completely out of character. Although she also feels the work is not up her alley, Yoko starts to prepare for the entrance examination with vigor, exhibiting her inborn never-say-die spirit and miraculously passing the examination. Naively assuming that she would immediately become a cabin attendant upon passing the test, Yoko of course has stiff training awaiting her.

Beat cop Joe Forrester walks the mean streets of Los Angeles.

Lighthearted look at the adventures of two Highway Patrol officers in Los Angeles. The main characters are Jon Baker and Frank Poncherello, two motorcycle officers always on the street to save lives.

A limited anthology series that explores terror in America.

The trials of a former television station manager turned newspaper city editor, and his journalist staff.

Inspired by actual cases and experiences, Numb3rs depicts the confluence of police work and mathematics in solving crime as an FBI agent recruits his mathematical genius brother to help solve a wide range of challenging crimes in Los Angeles from a very different perspective.

Sammo Law spins, kicks, and chops his way through crime as a one-man police force in Los Angeles. He's a tough law enforcer who comes to the U.S. in search of a former friend and protegée — and gets drafted as part of the LAPD.

Justice is an American legal drama produced by Jerry Bruckheimer that aired on Fox in the USA and CTV in Canada. The series also aired on Warner Channel in Latin America, Nine Network in Australia, and on TV2 In New Zealand. It first was broadcast on Wednesdays at 9:00 but, due to low ratings, it was rescheduled to Mondays at 9:00, in the hope viewers of the hit series Prison Break would stay tuned. On November 13, 2006, the show was put on hiatus, but two days later the network announced it was shifting it to Fridays at 8:00 to replace the canceled Vanished. Fourteen episodes of the series were ordered, of which 13 episodes were produced. Twelve of the episodes of Justice have aired in the United States with the final episode airing in Mexico, the UK and Germany.

Each episode of this series, set in contemporary Los Angeles, examines one crime from many different viewpoints - uniformed cops, detectives, witnesses, the media, the fire department and rescue squad, even the criminals themselves.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

In this sequel to The L Word, we continue to follow the intermingled lives of Bette Porter, Alice Pieszecki and Shane McCutcheon, along with a new generation of diverse, self-possessed LGBTQIA+ characters experiencing love, heartbreak, sex, setbacks and success in L.A.

Special Agent Simone Clark, the oldest rookie in the FBI, is a force of nature, the living embodiment of a dream deferred – and she works together with her new colleagues at the Los Angeles office of the Bureau to bring down the country’s toughest criminals.

Cranky but likable L.A. PI Jim Rockford pulls no punches (but takes plenty of them). An ex-con sent to the slammer for a crime he didn't commit, Rockford takes on cases others don't want, aided by his tough old man, his lawyer girlfriend and some shady associates from his past.

The City of Angels is falling apart, and crime pervades the city to the core. The mayor is corrupt, the police are inept, the city needs a figure to take control of the situation. Then in the light of day Darcy Walker is a cop, but in the dark of night she becomes the Black Scorpion. She does with a mash what she can't do with a badge. This is vigilante justice, old school style.

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.

Deputy Police Chief Brenda Leigh Johnson transfers from Atlanta to LA to head up a special unit of the LAPD that handles sensitive, high-profile murder cases. Johnson's quirky personality and hard-nosed approach often rubs her colleagues the wrong way, but her reputation as one of the world's best interrogator eventually wins over even her toughest critics.

Rescue 77 is an American television series about the professional and personal lives of paramedics in Los Angeles, California. The show aired in the spring of 1999 on Monday nights on the WB network. The creator and executive producer was Gregory Widen, a former Southern California firefighter and paramedic, and the writer of the 1991 firefighting drama Backdraft. His goal for the show was to provide a more realistic depiction of the lives of firefighters and paramedics than previous emergency medical television series such as Emergency!.