Margalida(2022)

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

In 2009, the first coup d'etat in a generation in Central America overthrows the elected president of Honduras. A nation-wide movement, known simply as The Resistance, rises in opposition. Resistencia: The Fight for the Aguan Valley centers on the most daring wing of the movement, the farmers of the Aguan. Not satisfied with just marching and blocking highways, 2000 landless families take possession of the palm oil plantations of Miguel Facusse, the country's largest landowner and a key player in the coup. The camera follows three farmers over four years as they build their new communities on occupied land, in the face of the regime's violent response, while waiting for the elections The Resistance hopes will restore the national democratic project.

"For Sale! Including 500 violent stone throwers from Hell", was the message from the controversial squat 'Ungdomshuset' in Copenhagen, Denmark. The film takes a balanced look behind the barricades and follows the definitive last year in the life of the squatters before all was demolished in March 2007 and riots broke out in Copenhagen.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.

In a country that prides itself on democracy, a group of activists, known for chalking messages and holding signs, faces a terrifying escalation: repression so severe that their right to speak freely becomes their last, desperate stand.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.