Like a Prayer(1990)

A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.

Honorable Ronald V. Dellums, winner of the San Francisco Foundation 2005 Community Leadership Awards (Robert C. Kirkwood Award) - for his decades of courage, leadership, and vision in championing peace, justice, diversity, and economic equality, both locally and globally, and for his impact in moving the AIDS pandemic and its solutions to the top of the global agenda.

Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.

Against the backdrop of the approaching global threat to humanity - the AIDS disease, threatening to undermine the moral and ethical climate of the USSR and its citizens who lived by the immutable code of the builders of communism, rejecting any moral vices of humanity, the film shows that the "risk group" in the form of drug addicts, prostitutes and homosexuals in the Soviet country not only exists, but its scale is great ... What the heroes of the film themselves, whom Soviet doctors and politicians classified as a "risk group", talk about in this first "revolutionary" video film.

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more. Plus music from Roxanne Tataei.

Different experts make a stand against today's putatively criminal and harmful health system, focusing on Anthony Fauci and his role in the shaping of the AIDS and COVID-19 epidemics.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

Created from a treasure trove of archive, Queerama traverses a century of gay experiences, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. The soundtrack weaves the lyrics and music of John Grant, Goldfrapp and Hercules & Love Affair with the images and guides us intimately into the relationships, desires, fears and expressions of gay men and women in the 20th century – a century of incredible change.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

Leonard Bernstein’s protégée Marin Alsop reveals how she smashed the glass ceiling to become an internationally renowned conductor.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.