Terra Firma(2016)

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Documentary about the history of the progressive Farmer-Labor movement in Minnesota from 1915 to 1944, when the party merged with the Democrats to form the DFL, the Democratic-Farmer-Labor Party.

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

The Cossack and the Gypsy takes us to the heart of intimate worlds of Lev Chayka and Régine Gabrysz, illustrating their memories, interior views composed of the stories about their childhood and devotion to their country of origin (Ukraine and Soviet Union). The wars and dictatorship of the past in the Eastern Europe is set in contrast with the Far North of Quebec in a forgotten boom town. Vera and Jack, the last miner, Régine and Lev are among the last first immigrants. Their Slavic voices and accents still lull the Abitibi sonorous landscapes, but for how long...

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.

Through archival footage of his parents' wedding, the filmmaker reflects on love and marriage in contemporary Serbia. Observing traditional Balkan rituals, he questions his own place as an LGBT individual in a society resistant to equality. The film explores the tension between tradition and modern love, and the hope for a future where everyone can experience love freely. Through his personal journey, he confronts family expectations and dreams of acceptance.

The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.

Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.

What does it mean to be British? Gabriel, a dentist originally from Hong Kong, has lived in Milton Keynes for nearly 50 years. His mixed race son Michael couldn't wait to leave. Now a film-maker, he returns to the city to discover how his father feels about the place he has made home.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Equal parts documentary, essay, and narrative,"Captain Elliot's Circle" is mostly a poetic interaction with an obscure corner of Chinese and British history. Constructed using primary source documents about the taking of Zhoushan, Britain's first choice for a seaport, in the late 1830s,this movie uses Captain Charles Elliot's reluctance to brutalize the Chinese to reflect on the cyclical nature of history and the power structures that move it. The long takes used throughout function to illustrate the dramatically different ways in which people who lived in the mid-19th century perceived time. Additionally, it represents the psychological effect of living on an island regardless of what era you were born in.The last third of the movie focuses on a young woman whose strange day job has taken her far away from the island of Zhoushan generations after Captain Charles Elliot was last there. "Captain Elliot's Circle" was shot on location in Zhoushan and Hangzhou.