Der Sturz - Honeckers Ende(2012)

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

Life in the GDR was not only documented on behalf of the state, but also by photographic artists and journalists. The documentary goes on a journey through time with some of them and shows little-known aspects of the GDR from its foundation to the fall of the Wall. Photographers in the GDR had a surprising amount of freedom; there was no explicit censorship of images. This allowed them to make visible what the state wanted to hide. This documentary presents two photographers who observed life in the GDR and whose work has been rediscovered in recent years.

A punk documentary about the life and death of the GDR punk Dieter "Otze" Ehrlich and his band Schleimkeim aus dem Schweinestall. With the fall of the Wall, Otze loses not only his enemy images, but also his life at the price of freedom.

The army of the GDR, called NVA had not survived the reunification of Germany, it was completely absorbed by the Bundeswehr and scrapped subsequently. But what apparently went on so smoothly as a peaceful unification of hostile brothers quietly left deep scars in the East German landscape.

Documentary (in colour) about the first youth meeting (Deutschlandtreffen der Jugend) in East Berlin in 1950.

Former heads, senior officers and the rector of the MfS law school explain how the ministry functioned. The interviewees see themselves as legitimate actors with a clear mandate and political enemy image. They provide an insight into the techniques and routines of secret service work, psychological tricks during interrogations and the management of “unofficial collaborators”. What they all have in common is that they are not aware of any moral guilt. The directors contrast their footage of prisons and archives with the statements of former Stasi employees in an attempt to expose their evasions and efforts at suppression.

In 2016, DEFA celebrates its 70th anniversary: the film embarks on a journey into the exciting film history of the GDR. In a comprehensive kaleidoscope, the importance of DEFA productions is illuminated, the relevance of the films as propaganda productions for the GDR, which socio-political themes were in the foreground, but also which heroes DEFA brought to the screen and celebrated as people from the people.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Documents the remodeling of the Ostbahnhof in Berlin Friedrichshain into the central station of the GDR.

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.