The Master Builder(1958)

Shaw turned to the classic Victorian melodrama to focus on the insincerity of much that his audience held dear, especially family and marriage. In 1777 as the American War of Independence rages, Dick Dudgeon returns to the family he revolted against years ago. But his life is about to take another twist as the british arrive and seem set on an execution...

A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin, an aspiring writer who dreams of bringing new forms to the theatre.

Alfred Allmers has spent his whole life writing a book on "responsibility," a luxury he can afford as a result of his marriage to the wealthy and beautiful Rita. However, much to Rita's annoyance, his attention isn't always undivided toward her, as Alfred shifts his focus between his book, their son Eyolf, and his half-sister Asta. As Allmers slowly feels trapped in an unfulfilling marriage, emotions and a painful past threaten to boil over into a terrible finale.

During World War I, a female agent tries to unmask a German spy.

Mrs. Ramsey sent Jean Oliver to prison on a false charge. To get even, Jean (disguised as Madame Mystera) plans to kidnap her daughter and turn her into a thief. Love entanglements with a gangster known as "The Fox" and newspaperman Grant complicate her plans.

At the turn of the century, a young man graduates high school and realizes the joys and sorrows of growing up, with some loving help and guidance from his wise father. A tender, coming-of-age story, with a wonderful look at a long-gone, but fondly remembered, small town America.

Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

Divorced couple Amanda and Elyot have both recently remarried. On their honeymoons, however, they discover that they have accidentally booked adjoining suites at the same hotel. Containing some of Coward's best dialogue, the play revolves around the agonising realisation that despite their ferocious incompatibility, they are still drawn to each other.

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

In a dreary North London flat, the site of perpetual psychological warfare, a philosophy professor visits his family after a nine-year absence and introduces the four men - father, uncle and two brothers - to his wife.

Northern England, 1912. The dinner of a wealthy family is interrupted by Inspector Goole, who only announces that a young woman has committed suicide. Then, he simply asks everyone present, one by one, if they knew her.