MÜ : Architectures protéiformes(2024)

With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.

An AI-generated film about the Hindu god Hanuman; it will draw from the sacred texts of Indian epic 'Ramayana' and Puranic literature to create what producers describe as an “awe-inspiring, visual odyssey designed to be enjoyed as a shared experience in theaters.”

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

2067: Isolation: Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave. 2077: Revelation: The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind. In the battle between machine and man, humanity stands to suffer most.

Cartman's deeply disturbing dreams portend the end of the life he knows and loves. Meanwhile, the adults in South Park are wrestling with their own life decisions, as the advent of AI is turning their world upside down.

Two figures —an angel bathed in light and a widow veiled in mourning— mirror each other’s gestures. Through the interplay of costume, color, and hand-drawn intervention, Emerge & Fade explores how innocence and disillusion coexist and transform one another.

An experimental, non-sensical comedy about bringing a stone age man back to our time, made with the app “Plotagon”.

Set in the year 2060, it follows a love story as Tokyo's third Olympics draws near. Takeru Oosawa, who works for the AI Robot Technology Research Lab, is chosen as a member of the national secret project using humanoid robots. With the help of childhood friend and co-worker Youichirou Amano and his sister Saki, Takeru tries his best to reach his objectives. However, the situation changes when Saki's office receives a warning note for terrorism.

In an alternate Manhattan, two researchers-Robert Lang and Jeff Hawthorne-are drawn into Project STARLING, a covert operation buried deep within the Titanpointe building. When Hawthorne breaks protocol and vanishes into a mysterious portal, the city reels from unexplained phenomena. Lang is forced to navigate a collapsing reality as STARLING agents turn ruthless and the boundaries between dimensions begin to rupture. As transformations unfold and the city descends into chaos, both men confront forces beyond comprehension-shifting identities, spectral adversaries, and a growing sense that something vast and irreversible is approaching.

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.