Air Guitar Nation(2006)

Husband and wife music producers Ray Chew and Vivian Scott Chew embark on an ambitious two week journey to Cuba to create a collaboration of sounds which originated from Afro-Caribbean roots that has evolved into what we now consider modern day Salsa music. Bringing together multiple artists from the U.S. and Cuba, the film shines a light on Cuban culture and takes the viewer through the creative process and challenges of producing an album while providing an auditory sensation that touches the soul. Featuring Eric Benét, Louie Vega and Sergio George-who has produced albums for Jennifer Lopez, Marc Anthony and more. Audiences will walk away feeling the passion, positive energy, triumph and love that keeps this musical marriage strong.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

A documentary on the history of sex education

The story of the settlement of Irish immigrants in the North Bronx, New York, and how the once predominantly Irish neighborhoods are changing because of the influx of other groups.

In the late 1980s, Tim Duffy, a penniless North Carolina musicology student, became deeply involved in Winston-Salem's drinkhouse music scene, an off-the-grid hotbed of gritty traditional blues. He began the foundation after observing and living with the deep poverty of the Southern blues artists he befriended and championed.The foundation now helps hundreds of older Southern musicians with everything from financial assistance to tour support. The film travels back to the early artists that were the inspiration for Music Maker, and forward to the current artists carrying on the Southern roots tradition. The film features performances, archival and contemporary, of Music Maker artists on tour and in the studio, as well as interviews with the artists and Duffy on the foundation, music and the blues.

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.