The Definitive Castlevania Timeline(2023)

Film historians, and producer Richard Gordon, talk about the horror movie career of cult star Bela Lugosi.

A study of the author intersperses readings from "Interview with the Vampire" with her comments on growing up in New Orleans; her mother ("the finest storyteller I have ever known"); living in San Francisco during the 1960s; and the death of her daughter. Included: talks with her husband and sisters.

A history of the famous vampire of books and movies, using film clips, previews and other methods.

Mark Gatiss explores and celebrates Dracula, an icon of popular culture, asking just why we keep coming back to the count.

Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations.

A documentary that explores man's enduring fascination with the vampire legend by examining historical accounts, literary works, and as they are portrayed in film and television.

What would happen if a country of 97 million people were taught at a young age that the boogie man was real. In the Philippines for the last 400 years, the 'aswang' has been used as propoganda and social control by Spanish Colonizers, the Catholic Church, the Philippine Administration, and even the CIA.

First chapter in the chronicles of a 231-year-old vampire in his journey with his fellow vampires.

National Vampire is a feature-length documentary that explores vampire culture in the United States. To achieve this, the filmmakers spent more than two years traveling around the country, attending vampire-related events, and interviewing dozens of people involved in the vampire community. Shooting locations include a Vampire’s Ball held in New Orleans each Halloween, a vampire tour of San Francisco, and a New York City shop that “transforms” people into vampires. Also featured are a vampire “dentist” who makes fangs for a living, vampire role playing gamers in Dayton, Ohio, a vampire-themed magician, and a bloodthirsty Texas couple that claims to be the real thing. Going beyond the surface, National Vampire also explores a number of subcultures that overlap the vampire community, including the goth music scene, bondage and S&M, and blood fetishists who take part in piercing and full-body suspension rituals.

Documentary directed by W.K. Border, that which dives into the aspects of contemporary Gothic subculture, vampirism, and BDSM culture. Filmed in 1997 in California.

Using clips from classic horror films and contemporary interviews, this cable-TV documentary tries to separate truth from fable in discussing vampires and werewolves -- a task that often proves impossible. After noting that fear of the supernatural stems from mankind's basic terror involving darkness and awe of the moon, the film ticks off several documented cases of "actual" blood sucking and lycanthropy. Among those interviewed are weapons experts, scientists, sociologists, and movie buffs, as well as a few hardy souls who claim to be genuine Dracula and Wolfman clones. Originally slated to air during Halloween weekend in 2003, Fang vs. Fiction: The Real Underworld of Vampires and Werewolves was moved forward two months as an extended promotion for the upcoming theatrical feature Underworld, which, of course, dealt with the same terrifying subject matter. [Hal Erickson]

A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?