TS-CAM

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

One year after the last meeting that marked their separation, Jo, a guitarist, returns to the square where he used to meet Léo, a painter, and Quentin, a photographer. Returning to this place full of memories takes him back to the moment they met, their learning together, and the creation of a joint project.

Anyone carries something with them, something that can be short and painful, sweet and long, and strange and lovely, but it doesn’t matter. What’s important is LIFE. And the Moon which is watching everything

An elderly bachelor, feeling nostalgic for his youth, seeks out his late sweetheart's teenage daughter, now an orphan forced to attend a strict boarding school.

This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.

Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.

In 1948, decades after fleeing Armenia to the US as a child, Charlie returns in the hopes of finding a connection to his roots, but what he finds instead is a country crushed under Soviet rule. After being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window - the home of a prison guard.

Lazy Boy unfolds in long, unhurried takes that mirror the stillness of its subject: a full-time furniture salesman in the South Bay of Los Angeles, working through the quiet despair of an economic recession. With customers scarce and sales impossible, the film lingers on stalled transactions and empty showrooms, transforming the monotony of labor into a portrait of endurance.