Gewalt gegen Recht(1920)

Nick and Nora Charles investigate when Nora's cousin reports her disreputable husband is missing, and find themselves in a mystery involving the shady owners of a popular nightclub, a singer and her dark brother, the cousin's forsaken true love, and Nora's bombastic and controlling aunt.

Not even the joys of parenthood can stop married sleuths Nick and Nora Charles from investigating a murder on a Long Island estate.

High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.

Society sleuths Nick and Nora Charles investigate a murder in a jazz club.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Three penniless students live in the basement of one of the buildings owned by a young heiress who lives under the guardianship of her uncle, who covets her wealth and wants to marry her to his failed student son. The heiress falls in love with one of the three students and the heiress on the one hand, and her guardian uncle and his son on the other.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Three modern-day pilgrims investigate a bizarre crime in a small town while on their way to Canterbury.

In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.

Insurance investigator Abraham Holt travels to a tiny town in rural Minnesota to look into a particularly unusual insurance claim stemming from a horrific car accident. As Holt examines the scene of the wreck, it all seems a bit too perfect. And when he interviews Isold Mcbride and her shifty husband, Fred -- the impoverished beneficiaries of the massive, recently initiated life-insurance policy -- he begins to suspect that something is amiss.