Je ne suis pas ton pauvre(2021)

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

This first part focuses on the party's road to the watershed 2011 General Election, where for the first time ever in Singapore's history, Low led an opposition party of five (including single-term Non-Constituency MP Sylvia Lim and now-recognisable WP MPs Pritam Singh, Chen Show Mao and Muhd Faisal Manap) to win a group representation constituency — Aljunied GRC. It also dwells on Low's beginnings and career as a teacher, as well as what brought him into politics.

Clarissa is a driven, straight-talking single Black mother and social warrior in Oakland, California. Becoming unhoused with an infant inspired her to champion childcare and preschool as a human right. Funny and irreverent, Clarissa's infectious energy pulls us along as she presses forward, with fortitude gained through effort and loss. But juggling this work with raising a young son pushes Clarissa into a personal healthcare crisis far too common among stressed, working mothers, especially women of color. Clarissa's Battle follows her journey as a community leader, political candidate and time-stretched mother as she fights for the health and dignity of children and their parents nationwide. This isn't just Clarissa's battle - it's our battle, too.

In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.