Masters of Mayhem

A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.

The 1968 zombie plague is ending. The living dead, eaters of human flesh who are lurking in the Evans City Cemetery, are being gunned down and burned by an armed posse led by Sheriff Ken Johnson and Deputy Jeff Sanders. Dr. Harold Ormsby is also on the scene with a team of white-coated laboratory assistants, collecting zombie specimens by shooting them with immobilizing darts, the same way wild animals are captured for zoos. Their mission is to carry out experiments on the undead in hopes of finding out what caused the plague and how it can be cured.

It's 1981 and the world has just witnessed a fairytale wedding. Lonely Lilith has finally found the man of her dreams, and she'll give everything to keep him.

In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.

"Babygirl" follows a psycho who wishes to raise his victim as a baby. "Goodnight Darling" follows a daughter suspicious that her mother is different. "Beast of Prey" features a woman attempting to evade a monster. "Changeling" follows a mother with a mysterious child. "Night Swim" a woman at a pool sees spirits. "Polaroid" follows a man as he uses a camera in self-defense. "Landgraves" features a man interviewing a metal band accused of murder. "Every Night I See Them" follows a man trying to keep himself awake. "Mommy" makes dinner while watching her child on a camera.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

Jake has fallen into depression after lost of his love one. His sister, Tila has a plan to cheer him up and take him out on a camping trip to a ghost town, where he learns how to bring back the dead.

A charismatically verbose writer who befriends the resident bartender on a train ferrying dark secrets. The writer’s sanity begins to unravel as he faces a haunting truth he can’t escape.

Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.