Ellas en la ciudad(2025)

Documentary film about the controversial movement of women seeking ordination in the Roman Catholic Church. More and more women are answering a spiritual calling to take on the vestments of priesthood and seek equality in the religion they love. These daring women have risked banishment, loss of livelihood, and even excommunication to take part in what the Church calls illicit ordinations. The Vatican has vowed to end this threat to the male hierarchy, even forbidding the mere discussion of female priests. The papacy has reached a time of crisis and the controversy over women's role, and their place in the Church, must be addressed if the Vatican is to have any relevance in the 21st century.

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

Directed by Oscar-winning filmmaker Nick Reed & Ryan Azevedo, the film tells the story of activist and Claire’s Place Foundation Founder Claire Wineland through interviews and footage, exploring her fight with cystic fibrosis and how she has inspired millions to find purpose and to live proudly.

Hear the inside story of Huey Newton and the Black Panthers with this documentary that examines their efforts to promote the rights of African Americans as well as the organization's violent tactics, including the killing of a police officer. The film features a rare jailhouse interview with Newton discussing the role of revolution and civil disobedience, plus footage of several Panthers' bullet-riddled homes following police raids.

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

“Don’t end up alone like I did.” This plea expressed by her grandmother before passing, haunts Tatiana, a single, 40-year-old documentary filmmaker. Filled with questions about what it means to “not end up alone,” Tatiana explores her grandma Teresa’s life: an imposing woman who owned an iconic movie theater, divorced three times and challenged the Dominican social norms of her era. The filmmaker embarks on a journey through family archives, old films and hundreds of letters, constructing —or trying to deconstruct— a story about love, expectations and solitude.