A Family Film(2019)

A behind-the-scenes documentary about the 41st Paléo in Nyon (Switzerland) in 2016, with a selection of the best parts of the concerts and interviews with the artists and volunteers who organize the festival.

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

"Haus of Mercury" is a documentary about the drag scene in the city of Fortaleza, with a special look at the House of Mercury, a blooming and growing family of drag queens. Born out of the pandemic, it has already become synonymous of the weird, the strange, the monstrous. And now, they are ready to make the grand debut.

Ibuka follows Valentine and Jean-Claude, a new couple, at the very beginning of the civil war and the massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the killings with their newborn. Ibuka is a poetic work filled with tenderness and clarity about a historical tragedy, experienced through the intimacy and formation of a young family forever bonded.

Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

A documentary film that delves into the life and cinematic career of one of Japan's most prolific directors: Ishiro Honda. The film will spotlight Honda's filmography from both a historical and personal perspective, exploring his contributions to the Japanese film industry and his firsthand experiences of war, from which he barely survived. It will also delve into his profound feelings regarding the atomic bomb, a subject that became an obsession for him and was frequently reflected in his films. The documentary will analyze Honda's body of work through interviews with individuals who had the privilege of collaborating with him, as well as experts on Honda's films from both Japan and the Western world. Furthermore, the film will uncover Honda's friendship and professional relationship with director Akira Kurosawa.