Rani(2025)

In this tale of deception and misadventure, a group of five village con men, each with unique skills, form a traveling performance troupe to camouflage their illicit actives. When approached by Swami, a con artist posing as a Hindu priest, they agree to pose as fake businessmen in a scheme to buy two Walampooris.

"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.

A hearing-impaired taxi driver is exploiting a loophole in the law to make a living. But when he gets entangled with the criminal-political underworld of Sri Lanka after a fateful taxi ride, the next few hours will decide the rest of his life.

Sangele (Dulani) is a girl who lives alone in a village of people . People in the city are trying to get close to her some even making sexual advances. Punchi Malli (Sanath) is very attracted to Sangile, even though he is married. Meanwhile, a hard working young Sunimal (Saranga) falls in love with Sangile. Punchi Malli was falsely accused in due to a rumor and sent to jail. During this time, Punchi Malli raped Sangile and Punchi Malli's wife (Veena) get to know about the hidden truth. She tried to blame Sangile for dirty works, however Punchi Malli punished her. Sangile gets pregnant and story continues.

A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.

Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

One person wins at life by bravely challenging his destiny; he is jailed for murder but released after a few years.

Adarei Man (I Love) (Sinhalese: ආදරෙයි මං) is a 2018 Sri Lankan Sinhala romance film directed by Prageeth Rathnayake as his maiden direction and produced by Jagath Chandana for Romeo’s Eye Picture. It is the love tale of a rich but kind hearted boy named Pavan and his relation with a middle class girl named Malmi

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.