Una Cuba(2024)

A man’s female friend who just came back from London spends time on the river shore.

A film student at Ryerson University struggles to complete her thesis project.

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

In a remote Turkish village, a timid young man is haunted by his childhood and the mysterious death of his sister. Nightmares and unsettling visions draw him into an inevitable descent, as his reality begins to fracture. A poetic exploration of memory, loss and the psyche.

A loop of a guy in Maine hanging out in his room.

A man on the verge of marriage is haunted by traumatic memories from his childhood.

Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.