Crossing the Divide(2025)

Canberra, the National Capital of Australia, is a city which has been planned; a place where modern living is enriched by a lovely setting. But the hustling young city of today is expanding and developing, and there is emerging the pattern of the proud city of tomorrow.

Original 35mm nitrate negative film shot by naturalist David Fleay at Beaumaris Zoo, Hobart in December 1933. Colorized by Samuel François-Steininger at the Paris-based, Composite Films, from a 4K scan of the negative by the National Film and Sound Archive Australia.

"Wae(Distorted): The Cartel" is a shocking documentary film that conducts an in-depth analysis of various statistical and physical evidence revealed during South Korea's April 15, 2020 general election. The narration is provided by Yoon Joo-sang, a renowned actor and voice actor. The horrific election fraud—so hard to believe and yet impossible to ignore—did not end with the April 15 general election. It has continued even after the change of administration. It is our sincere hope that this film will help widely expose the appalling reality of election fraud that outrages the conscience of all people.

Meet the team behind the award-winning, satirical, propaganda simulator 'Not For Broadcast' - a Full Motion Video TV sim with a cast of over 150 actors - as they reveal how exactly they managed to produce two, video-filled updates of their game during a global pandemic. Follow the unexpected journey as film shoots are canceled three days out, a writer is isolated in Australia, a bonus level is filmed entirely remotely, and slowly, masked actors return to a full-scale, managed production. The theatres may be closed, but the news will always be live.

Years of pent-up dissent turned into an igniting spark at Istanbul University's Beyazıt Campus. The moment that police barricade was torn down, with TİP students at the very forefront, was not only the breaching of a physical barrier but the shattering of the walls of fear built around the youth.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

This behind the scenes documentary split across five chapters focuses on the many aspects of the filmmaking journey and includes interviews with lead actor and actress Denzel Washington and Frances McDormand. As well as various crew members.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.

A stationary camera looks west across Niagara Falls from the United States' side (the Niagara River rushes toward the falls from right to left). Virtually overlooking the falls and surrounded by the swift current not far from the camera is a small island where six or eight tourists watch the water, talk, and move about.

The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."