News Without A Newsroom(2025)

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

In a time of resurgence of social protests, political radicalization and distrust of power, Arendt's thought has never been more relevant: A critical thinker according to some or a conservative according to others, this great figure of the intellectual world remains, in many ways, an enigma. Who was Hannah Arendt?

This documentary follows Lali in her return after four years away from the stage, showcasing the personal journey that led her to become the artist we know today.

An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.

A feature documentary about Kansas City, as its people tell us how they got through the pandemic and look back at what they lost.

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

A middle-aged Louisiana governor falls in love with a young stripper, which jeopardizes his political career and the radical policies which have made him a controversial figure.

This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.

The sinking of the Titanic sent shockwaves around the world and started debates that continue to this day. But new, explosive evidence from the most unlikely of sources may finally lay all arguments to rest and reveal, for the first time, the full story of what possibly doomed the "unsinkable" liner. Join us as we unveil recently discovered and never-before-seen photographs of the super ship that exposes shocking clues that investigators and historians once dismissed but can no longer ignore.

As he turns 50, filmmaker Pini Schatz sets out to explore his life-long obsession with the band Sparks (the brothers Ron and Russell Mael). Pini charts the impact of Sparks on his life while meeting with fellow Sparks fans, among them famous musicians, in Tel Aviv, London, Berlin, Rotterdam and NYC. Structured as a personal quest of the filmmaker to prove that Sparks are the coolest underrated band in the history of popular music, this docu-comedy explores the universal themes of growing old and being an outsider, the importance of art in daily life and the power of non-conformism.

During a military uprising known as “El Porteñazo”, a priest is photographed while trying to help a soldier wounded in combat. The photo travels the world and is awarded the most important prizes in photojournalism, such as the Pulitzer Prize and the World Press. Throughout this documentary, photographers, editors and witnesses reveal various aspects surrounding that image: who is the priest, who was its author, the events that surrounded the photographic event, what was its political role and what said image represents in the history of Venezuelan journalism. Additionally, it allows the presentation of other photographs, some unpublished, that Rondón managed to capture in those difficult moments.

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.