Hexing a Hurricane(2006)

Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

One of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows. Filmed at the Saenger Theatre in New Orleans.

A touching documentary about a city that has lost hope, and about one man's fight to bring it back.

From the creators of critically acclaimed Inside 9/11 comes another powerful journalistic account, Inside Hurricane Katrina. Go beyond the round-the-clock news coverage for a comprehensive look behind the devastation caused by nature's fury and human error. How did this happen? Can it happen again? Why weren't emergency personnel fully ready to respond to a real disaster? Using comprehensive analysis of events, hours of government audio tapes, and personal interviews, National Geographic takes viewers into the eye of Katrina to uncover the decisions and circumstances that determined the fate of the Gulf residents.

The Naked Dance is the first documentary about America's legendary legal red-light district that thrived in New Orleans from 1898 until World War I. Storyville got its name when Alderman Sidney Story attempted to clear up the New Orleans waterfront by restricting prostitution to a specific neighborhood. To his chagrin, the area was dubbed "Storyville," and it was so known until the U.S. Navy closed it for good in 1917.

The feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.

Spanish musician Santiago Auserón soaked up the rhythmic wisdom of son during his first visit to Cuba in 1984, an influence he soon transferred to his own work.

The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.

The Legendary Soulja Slim is classic footage of the rapper slash gangster showing big guns, dissing record labels, making threats, and ultimately partying until it all caught up with him.

In this revealing program, noted author and economic activist Naomi Klein offers a lecture and a candid interview in which she expounds on the ideas at the heart of her best-selling book.

Filmed in roughly one month between the end of October and the beginning of December 2005, the film is an honest portrayal of Jac Currie’s life after Katrina and one of his first trips back to the Gulf Coast after being stranded in New York. It shows Defend New Orleans’ transition to a valid social aid project and documents some of the destruction in New Orleans and on the Mississippi Gulf Coast.