Lost, Lost, Lost(1976)

Born to Korean immigrant parents freed from indentured servitude in early twentieth century Mexico, Jerónimo Lim Kim joins the Cuban Revolution with his law school classmate Fidel Castro and becomes an accomplished government official in the Castro regime, until he rediscovers his ethnic roots and dedicates his later life to reconstructing his Korean Cuban identity. After Jerónimo's death, younger Korean Cubans recognize his legacy, but it is not until they are presented with the opportunity to visit South Korea that questions about their mixed identity resurface.

The San Francisco Foundation presents 2013 Community Leadership Awardee, Educators for Fair Consideration (E4FC), with The San Francisco Foundation Award, made to an organization demonstrating exemplary commitment to improving human relations in the Bay Area. E4FC provides direct support to and advocacy for highly motivated, college-bound undocumented students who had come to the United States as children and wished to remain. They are a leader in the field of immigrant work, providing youth tangible support and the space for them to tell their own story. As a result, E4FC's work is an essential part of the DREAMers movement catapulting the organizations role as a leader in both the Bay Area and as a national model in supporting and empowering immigrant youth. www.sff.org/cla

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

By asking the same question across generations of Southern Chinese in the UK, this film documents a vignette of two recent Hong Kong immigrants and reflects their own socio-political conditions through their conversation.

This new documentary tells the incredible life story of an internationally renowned artist who goes to the frontline to tell the real story of the world. Irish painter and social activist Brian Maguire has been catapulted to the forefront of the international art world in recent years as it has been realized how much his challenging work contributes to and tells the real story of the world. He tells the stories of those that have lost the race, the victims of poverty, drugs and violence. All of the elements of Brian’s extraordinary life are rolled out in his artworks, experiences that have fueled his drive to bring attention to stories of injustice, stories which might not otherwise be told. He has brought his artworks to UN headquarters in New York and the European parliament to bring attention to what he calls the victims of capitalism.

The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

A Turkish woman in Brighton shares her visual diary. Witness her ups and downs, her intimacy and vulnerability. After revealing hers, the film invites you to confront your ‘tiny little things’. It presents a slice-of-life experience with an abstract flow and deals with one’s existence in this world. There is no escape from family and the things in your mind, even if you are thousands of miles away. The meaning changes constantly, and the camera becomes the extension of her mind. And somebody put that voice in her brain.

An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.