Mio(2008)

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

This animated short shows the development of boys up to and during puberty. It depicts the typical external changes that occur with the onset of sexual maturity, the structure and function of the sexual organs, sperm formation and pollination.

Six young black men from Akron, Ohio, enter college, determined to redefine society's images and low expectations. Despite their confidence, the stark reality of being away from home brings a series of crises. Well trained in critical and metaphorical thinking, and unusually articulate about their inner lives, each of the protagonists guides us to his core. Since sixth grade, they have been part of an innovative mentoring program called 'Alchemy, Inc.' that uses mythological stories, drumming and writing. In the twice-yearly reunion workshops everyone speaks of his trials and his triumphs with authenticity, intelligence, honesty and heart. In turns quiet, thoughtful and exuberant, the six protagonists grow before our eyes, whether navigating racial provocations, or seeking support with new friends, estranged fathers and wise grandmothers.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

This sex education movie explore themes of body development, sexual hygiene, masturbation, menstruation, puberty, sex and giving birth.

Taking part in The Voice Kids is already quite something, but for 11-year-old Merna it’s really something special. Her parents had to flee Iraq because they are part of the Christian minority, and IS was threatening to kidnap Merna. They now live in Lebanon, where one in three people is a refugee. The family has been waiting for two years for permission to move on. FaceTiming with her older sister, who stayed behind in Iraq, and cooking her favorite dishes with her mother make the situation more bearable. But what also really helps is singing – this calms Merna and makes her less afraid. She used to sing only in church, but since The Voice her beautiful, melancholy voice touches everyone. Because of her status as a refugee, Merna isn’t allowed to attend the foreign performances with the other finalists, but she’s now a national celebrity in Lebanon.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

The documentary was shot in the prison for juvenile delinquents in Hungary. It does not aim at judging whether the perpetrators were convicted rightly or not but, given the burden they carry, how they can reintegrate into society after they are released.

This documentary is a sad sight of the reality of child abuse victims who now live in public shelters in Brazil, with stories told by themselves. Children and adolescents who are now in shelters were victims of violence. Most were the victim of the own family and others never knew theirs. The years are passing and the childhood and adolescence of them also ...