Xiānghé(2025)

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt

Satellite dish salesman Gus experiences some life-altering changes when he meets performance artist Lucy in this visually poetic fantasy. After Lucy vanishes, leaving a puzzling note, Gus goes on a quest for the mysterious woman. Moving from his meticulous life in a technologically advanced world into the spontaneity of nature, Gus learns some important lessons and begins to trust his own instincts.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

Klaus Rozsa, a well-known and politically active photographer, lived in Zurich for decades as a stateless individual. All of his applications for naturalisation were refused on political grounds. In 1956 he fled Hungary, growing up in Switzerland with a Jewish father who had survived Auschwitz and Dachau. Due to the extreme proximity of such a fate, the camera led him repeatedly to places where injustice was done. It was this particular quality of his camerawork that proved fateful for him.

“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

After accidentally becoming the caretaker of a robin’s egg, I reach out to my grandmother for guidance. As we await the fate of the fragile, pale blue egg, we call from across the world to birdwatch together—a meditation on nature, nurture, and letting go.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.