The Nouba of the Women of Mount Chenoua(1978)

Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.

Bologna, 2002. Amidst protests against the labor reform, the assassination of a lawyer opens old wounds between Italy and France. Former far-left terrorist Marco, convicted of murder during the Years of Lead and living in Paris since then thanks to the Mitterrand Doctrine, is suspected of being its instigator. When the Italian government asks for extradition, Marco goes into hiding with his daughter Viola, precipitating also the life of his family back in Italy.

Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga

June and Jennifer Gibbons are twins from the only Black family in a small town in Wales in the 1970s and '80s. Feeling isolated from the community, the pair turn inward and reject communication with everyone but each other, retreating into their own fantasy world of inspiration and adolescent desires. After a spree of vandalism, the girls are sentenced to Broadmoor, an infamous psychiatric hospital, where they face the choice to separate and survive or die together.

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.

The engagment between a struggling photographer and an assistant professor is marred by an act of violence.

Peter Bell and his Black Hand gang tangle with evil newspaper tycoon Stark once again, as the latter schemes to steal a priceless royal crown with his two cronies.

A woman must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard. The return home forces her to confront her past.

At the invitation of the mysterious Elijah, the shy, bookish Molly travels to the tiny island of Little Neck for his annual party. When she arrives she finds that all the residents, other than a small, tightly knit group of Elijah's friends have left for winter. When Elijah doesn't materialize at his own party, his guests carry on in his honor, having a bacchanalian night fueled with booze and psychedelics, playing games and telling stories of their absent friend. As a storm threatens their night of fun, Molly experiences a surreal evening of emotional and sexual exploration she won't soon forget.

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.