The Fighting Redhead(1949)

Aging rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.

California Gold Rush is set in 1849. Ryder heads to Sutter's Mill, where he must contend with claim-jumping and treachery.

Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw

Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle.

In this western, Red Ryder tries to be a good example for a young man who idolizes his father, an outlaw. The boy wants to follow in his father's footsteps when the hero intervenes.

An interesting entry in Republic Pictures' long-running "Red Ryder" B-Western series, this film is not about hardy settlers braving the Colorado winters, as the title would suggest. Instead it's a sort of Reform School Western about a couple of wayward Chicago boys (Billy Cummings and Freddie Chapman) taken in by Ryder's indomitable aunt, "The Duchess" (Alice Fleming.) The boys escaped their very own "Fagin," Bull Reagan (Roy Barcroft), and were given a second chance on the lady's Western ranch. Unfortunately, Reagan returns to do a bit of cattle rustling, once again luring the boys into becoming his accomplices.

In this western, Red Ryder leads a wagon train of homesteaders into a ghost town and discovers that it has become an outlaw's hideout.

In this western, Red Ryder rounds up a gang of horse thieves who have been stealing cavalry horses.

Red Ryder and his comical sidekick take on a new batch of bad-guys in this western, the 16th in the Red Ryder series. This time the heroic duo try to save a female rancher from a greedy financier who wants her land so he can exploit the enormous oil fields lying under it.

Red Ryder tries to warn a duchess that her newfound beau has a history of murdering his wives.

Fanning has his men rustle horses and then blame it on a wild horse named Wildfire. Happy and Alkali arrive and immediately get into trouble with Fanning and his men. When Alkali is shot, Happy catches the outlaws but the Judge not only releases them, he discharges the Sheriff and tries to arrest Happy for rustling. Happy escapes and he and the Sheriff then set out to prove who the real rustlers are.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.