Sundae in New York(1983)

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.

A short film about a mother and her son, she teaches him life skills later on the son gets niked by a man so the young donkey can be his work slave and his mother saves him. Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2013.

An early Thomas Edison short. A young woman is kidnapped while attending a play in Chinatown. A reporter attends another play in Chinatown, is likewise kidnapped and rescues the young woman. Preserved by the Academy Film Archive in 2011 in partnership with the National Film Preservation Foundation New Zealand Project.

After marauding and sinking another ship, a band of pirates capture a female passenger, then send her overboard as punishment for her defiance. She vows revenge, and fortunately is rescued by a small passing ship carrying only its captain, his first mate and a cat. They cross paths with the pirates, but both sides - after seeming to have victory within their grasp - meet a fate neither could have predicted. Preserved by the Academy Film Archive in 2008.

A four-year-old boy is drafted into the army. Preserved by the Academy Film Archive in 2004.

The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.

John Henry springs to life as a full-grown man, and in no time at all establishes himself as the mightiest steel-driver around. When a newfangled steel-driving machine threatens his livelihood, he sets out to beat it in a one-on-one race.

The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.

Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp. Jasper rescues her from the Scarecrow, brings her down the beanstalk, and spends the rest of his days dancing to the music his girlfriend plays on the harp. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

Commissioned by the U.S. Office of War Information, this short film features conductor Arturo Toscanini leading the NBC Symphony Orchestra, tenor Jan Peerce, and the Westminster Choir in Verdi’s Inno delle nazioni. Originally composed in the 1860s as a musical tribute to Europe, Toscanini expanded the score to include The Star-Spangled Banner and The Internationale in honor of the Allied struggle and Italian partisans. Filmed in NBC’s Studio 8H, the documentary interweaves performance with scenes of Toscanini at home, emphasizing his anti-fascist stance and celebrating the liberation of Italy. Preserved by the Academy Film Archive in 2010.