The Greatest Places(1998)

Discover the evolutionary secrets of some of the world’s most majestic creatures. From voracious crocodiles and acrobatic birds to stupendous whales and majestic elephants, this documentary follows top scientists on a global adventure as they follow clues from the fossil record and change what we thought we knew about the evolution of iconic beasts.

Ibuka follows Valentine and Jean-Claude, a new couple, at the very beginning of the civil war and the massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the killings with their newborn. Ibuka is a poetic work filled with tenderness and clarity about a historical tragedy, experienced through the intimacy and formation of a young family forever bonded.

Kina & Yuk are two Arctic foxes, ready to start a family. But the climate is warmer, and the food is more and more rare. Kina & Yuk are obliged to venture far and far away.

Follow ocean legend Sylvia Earle, renowned underwater National Geographic photographer Brian Skerry, writer Max Kennedy and their crew of teenage aquanauts on a year-long quest to deploy science and photography to inspire President Obama to establish new Blue Parks to protect essential habitats across an unseen American Wilderness.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

This film, three years in the making, The remote forests of Kalkalpen National Park in Austria, the largest area of wilderness in the European Alps, have been left untouched by humans for nearly a quarter of a century in order to return to their natural, primeval state. The landscape regenerates itself in dramatic cycles of growth and decay, and this bold hands-off method of conservation yields salient results: the lynx, absent from the area for 115 years, has returned.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

The waters of the North Pacific around Canada's Vancouver Island are a strange and little known world. The water is incredibly clean, the location is isolated and huge thermal vents heat the otherwise cold surrounding these factors combined have led to animals and plants that can grow to huge proportions. Humpback whales, orcas, wolf eels and bald eagles all thrive here. Our team of experts go in search of the elusive Pacific Giant Octopus. Growing up to 7.5 meters across with the power to kill sharks, it is a formidable creature, but also intelligent and incredibly shy. The dive team invites us into an alien world, where persistence is rewarded with encounters with three of these magnificent creatures.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Titans of the Ice Age transports viewers to the beautiful and otherworldly frozen landscapes of North America, Europe and Asia ten thousand years before modern civilization. Dazzling computer-generated imagery brings this mysterious era to life - from saber-toothed cats and giant sloths to the iconic mammoths, giants both feared and hunted by prehistoric humans.