All City(1985)

A journey through the preparation and hardworking process of ballet dancers and musicians for a unique spectacle in Tokio that Béjart choreographed with the Ninth symphony of Beethoven. Béjart ballet dances with Tokio ballet and the Philharmonic Orchestra of Israel. A marvellous combination of dancers movements and expression of different feelings along the four movements of the symphony with absolute elegance and strength.

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

Onesun, one of Korea’s first generation hip-hop musicians, appeared on an audition program. Although he did not make it to the finals, he received great attention for the first time in 20 years since his debut. However, he still delivers packages, and at nights he runs the underground hip-hop club ‘In2Deep’ in Hongdae. Onesun’s life and his club ‘In2Deep’ illustrate the reality underground musicians are faced with.

Underground performance hall in Hongdae. Seven nameless rappers hoped to play hip hop and came to Seoul with a vague dream. However, unlike what they thought, they carry a brick or serve more than they stand on stage. The hopes and goals of these seven unknown rappers are at stake. Monthly rents and various bills that put more pressure on them.

Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.

Concert film combining the footage from 50 camcorders given to audience members of a sold-out Beastie Boys show at Madison Square Garden on October 9, 2004. The audience members were instructed to keep the cameras rolling at all times.

"Graphic City" explores Lisbon's vibrant urban art scene through the unique eyes of artist Mariana Duarte Santos. Between murals and interventions that transform public space, the film delves into the streets of the Portuguese capital to reveal the artistic expression that arises from the city's walls. This documentary captures the creative spirit of Lisbon, where every corner becomes an open canvas for the imagination.

BIG PUN LIVE chronicles the life and times of the multi-talented rapper/actor Christopher "Big Pun" Rios. His short but substantial career is studied through live performance clips, behind-the-scenes footage, and interviews with friends and family.

Bay Area rapper Mac Dre began his career at 18 and quickly became an influential force in early west coast hip-hop. In 1992 he was convicted of conspiracy to commit bank robbery when his lyrics were used against him in court. He left prison with a new lease on life, founded an independent record company, and then was murdered just when he began to emerge as a star. For the first time ever, his mother Wanda reveals the true experiences of a hip-hop legend.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).