Emmanuelle in Rio(2003)

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Three activists cobble together a kidnapping plot after they encounter a businessman in his home.

A 14-year-old pursues romance with a man while vacationing with her family in Switzerland.

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

A private detective engages in a sexually-charged relationship with a real estate broker.

A man stabbed another man with a pair of scissors. The fallen man was his rival designer, Aoki. The main character is a very famous designer who works on Miya-sama's dress. Suddenly the famous designer wakes up, the corpse of Aoki disappeared as soon as he took his eyes off. The anxious designer teacher asks his disciple Reiji for comfort. There is another disciple called Junko present in the home. Next to him is Aoki, who should have died but is alive. Apparently these two are planning something. A designer teacher and two disciples at a villa by the sea. Is it a love-hate drama that unfolds in a closed room? No, that's not all.

Inspired by a street interview about married sex life a TV food show host accidentally finds a way to help his little problem in bed.

XI "A" follows the story of Lina - a former dancer, who goes in for her dream job, namely to become a literature teacher.

A husband is being driven crazy by his insatiable wife. It seems that all the time she spends sunbathing has made her a nymphomaniac. A doctor sends over a pair of swingers to "counsel" the couple.

A new head nurse is assigned to an all female hospital dorm and she can’t wait to revel in her new found freedom as a newly divorced woman. Doctors, nurses and boyfriends are now all fair game.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.