Der Klosterjäger(1953)

Lene Thurner is standing on a train platform in Munich. She has to decide: back to Berlin where she lives, or toward the south, where at the foot of the Alps her family lives on the lonely farm “Hierankl”.

The young Count Ettingen leads a dissolute life in Munich with the demanding Baroness Prankha at his side. To finance his life, he has his uncle cut down the forests in his estate without caring about the consequences. When he catches his girlfriend having an affair, however, he retreats to the mountains. From the young alpine dairymaid Lore he learns about another side of life and wants to stop the overexploitation of the forest. But the baroness still wants his money.

On the Schiermoser farm tense expectation prevails. The 'Urban', the Schaubleins, surprisingly announced their arrival. In the past, they were welcome as generous summer visitors. But now the shortage years of the First World War prevail. And the farmer's wife suspects lazy parasites in the townsfolk. The city family is indeed facing ruin. Especially since the defiant daughter Rosalie has just knocked out a promising money marriage without regard to scandal. The Rosalie is attracted to the Schiermoser heir Franz. His mother already drives the thought of a 'Madame Bäurin' to madness. Everyone experiences a turbulent time of upheaval. The end of the First World War will shake the social fronts as well as the new machine age.

Peace has returned to Björndal. After his father's death, young Dag succeeds him and strives to build a good relationship with his neighbor von Gall. The young farmer is determined to return the Borgland farm, which his father acquired by secretly purchasing bills of exchange. Dag leaves the old man in charge of the estate and assigns Aunt Elo, a lovely relative of his wife Adelheid, to assist him. He also brings Adelheid's father, Major Barre, to Björndal, where he is to spend his retirement with the young family. According to the Lexicon of International Films, the film is a Heimatfilm of a relatively respectable standard.

Young Josefa Maria, a great-great-granddaughter of Emperor Franz Josef of Austria, is engaged to a count, as befits her status, but she hardly knows him. Young Josefa Maria, a great-great-granddaughter of Emperor Franz Josef of Austria, is engaged to a count, as befits her status, but she hardly knows him. During a vacation visit to her home village of St. Wolfgang, Josefa meets her childhood friend Toni Leitner again, who has opened a successful auto repair shop.

With a certain degree of audacity, Girardi from Graz manages to gain a foothold at the Strampfertheater, a well-attended traditional theater in Vienna. However, his engagement as a new comedian leads to fierce competition with the theater's established star, Felix Schweighofer. Girardi's plans to entertain the audience at a high level are ultimately crowned with success, even though he is long underrated. He is hired by the Theater an der Wien, where, during rehearsals for a new operetta, he even persuades the strict Johann Strauss to compose an additional waltz for him. Girardi distills his special brand of comedy from events beyond the stage, from his own experiences. Confidently, the actor rises to become a favorite with the audience, against all odds. All of Vienna is enthusiastic about Girardi, singing his songs and applauding his shows.

When seminarian Martin Rufmann arrives in St. Eustachen, idyllically located in the Carinthian mountains, the local choral society is celebrating a joyous festival. Martin is the youngest son of the widowed head forester Thomas Rufmann. Martin's older brother Friedolin has inherited his father's love of hunting and is one of the best hunters in the area. He is also engaged to the pretty innkeeper's daughter Helene Schwarzaug. At the feast, Friedolin and his cronies drink heavily to the black liquor of the charcoal burner Krauthaas. Friedolin and the townspeople Günther have a loud argument in front of everyone. When Günther is found murdered a short time later, suspicion immediately falls on Friedolin. To save his brother, Martin accuses himself of the crime. The two brothers are arrested. The real culprit soon turns himself in, but in the meantime Thomas Rufmann has disappeared without a trace.