Jakarta Twilight(2011)

Sarah's life was destroyed when her husband, Satrio, wanted to remarry, making her choose to divorce and struggle as a single mother, but when Satrio became seriously ill, she was forced to take in Satrio and his new wife, Annisa, in her house, testing her fortitude and sincerity in facing inner conflict, jealousy, while learning to forgive and find strength.

An anthology explores the lives of four women as they navigate the societal pressures of womanhood.

A tender, melancholic night is experienced through the eyes of three women as they struggle to find themselves in this ever-changing jungle of Jakarta.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

A strange mortician tells four horrific tales to three drug dealers that he traps in a local funeral parlor.

Addakathera, Ahalya, Happy Married Life, Narthanasala and Anaganaga – the five stories in the anthology drama narrate tales of people and their interaction in society drawn from everyday lives. Like the collection of fables in Panchatantra, this film attempts to bring out the essence of moral values through its characters.

Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are exposed. Like many men, he becomes disgusted by the masks he wears and the lies he tells. In every man's life, there can be a turning point. When Jay makes his turn, he never looks back.

Ex Con Armstrong Cane (Ving Rhames) returns to home a changed man looking to take over his father's old church and congregation. The neighborhood though is full of drugs and gangs. Those who are able are leaving for more prosperous areas and falling in with a slick preacher (Ricardo Chivara). Even with a dangerous gang leader (Dean McDermott) threatening his flock, Armstrong won't give up.

Queer Boys and Girls on the Shinkansen brings together ten filmmakers and artists who consistently affirm what it means to be gay or lesbian in their work. Habakari chose ten filmmakers to make a five-minute work each, developed around a gay or lesbian theme, and compiled the resulting shorts in random order to create this omnibus film. The result is a queer film, by queer filmmakers, for a queer audience. Each short is its own short story, and the styles range from drama and experimental film and animation. (2024 complete version includes all eleven films, 65 mins.)

In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general.

The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.

The meeting of Maria and Fafat in a church on Christmas Eve, changed their fate. Maria did not expect that her relationship with Fafat would lead to an interfaith relationship. But the two of them had already fallen in love and decided to marry. When their daughter was born and not yet a year old, Fafat died in an accident. Maria was left alone, patiently raising her daughter Laila, according to the Islamic teachings that had been promised to her late husband. However, Ustadzah Habibah saw that Maria's efforts in educating Laila with Islamic teachings were still lacking, so she wanted to take and educate her granddaughter herself. After her husband, would Maria also lose her child?