The Coachman(1961)

A near-penniless drifter's journey to Alaska in search of work is interrupted when she loses her dog while attempting to shoplift food for it.

Vlash Zaka is a poor villager who secures his living by capturing wild horses in the forest. His brother has killed an Italian spy, so Vlash is under surveillance and his life is in danger.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.

On the brink of a family crisis, Alex finds herself being sent to the last place she wants to be, summer camp. Knowing that a young admirer from school will be at the camp, Alex reluctantly agrees. Thrown into a group of people she has never met, Alex is determined to shut out the world. However, Alex is brought out of the corners of her own heart by the most unlikely of friends: a horse.

The fates of horses, and the people who own and command them, are revealed as Black Beauty narrates the circle of his life.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Summer 1998. Countryside. Cassandre is 14. Her parents and older brother notice that her body has changed.

In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.

Kaj is a stubborn man with a great deal of pride. The former chef lives in a council flat. He has wasted his life and is now on a council job training scheme for the long-term unemployed, where he refuses to let the foreman of the activation project boss him about. When Kaj's daughter, with whom he has not been in touch for nineteen years, moves into the same council estate on the run from her violent husband, a change comes over Kaj. His initial instinct is to avoid her, but by chance he ends up helping to look after Jonas, her six-year-old son. For the first time for years Kaj need not survive on his own devices. Now he has responsibilities and a family of his own.

In an isolated and unknown place during a war, a child is forced to flee. Along the way, he sees horse corpses everywhere. Only dead horses. Why? Why have the horses decided to kill themselves?

A father and son come to grips with external hardships and their own human frailties as they attempt to earn enough money to send the boy to school.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.