¡Mamá, soy Paquito!(1984)

A corrupted border agent decides to clean up his act when an impoverished woman's baby is put up for sale on the black market.

In a small Mexican town, two rival groups clash over water irrigation rights. While the local priest attempts to mediate, his nieces charm the landowners' sons to force a peaceful resolution.

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

Hall Bartlett directs the rural drama The Children of Sanchez, based on the tome The Children of Sanchez: Autobiography of a Mexican Family written by Oscar Lewis in the '60s. Anthony Quinn stars as the widowed Jesus Sanchez, a poor farmer struggling to provide for his family in Mexico City. Also starring Lupita Ferrer as Consuelo and Stathis Giallelis as Roberto. This is the last film in the 50-year career of international star Dolores del Rio, who plays the Grandma. Jazz-pop performer Chuck Mangione was nominated for a Golden Globe and won a Grammy award for his original musical score.

1903, before the Revolution… The Citrillo’s Turns is a pulque bar in Mexico City, in which beings with no present or future gather to drink their lives away and tell stories of the dead and apparitions. Thus is woven a story of real passions –love, betrayal, jealousy, pillage- in an atmosphere of drunkenness and hallucination.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.

Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.

In the midst of a snowstorm, a journalist dives back into the memories of her most recent investigation. Following the sudden eclipse of star figure skater Violeta Martínez, the journalist travels to Violeta’s hometown, a tropical village on the West coast of Mexico. There she encounters an intricate labyrinth of clues and wrong paths, surreal tales and enigmatic characters. As the story deviates and plunges into the night. A world fades into another.