The Atomic Cafe(1982)

Declassified documents from the Cold War shine light into the hidden communications between the US and the Soviet Union during the heavy tensions. New evidence points to the possibility that the space race may have been the ultimate coverup for exchanging intel on UFO's , the occupants and their origins.

The Moment in Time documents the uncertain days of the beginning of World War II when it was feared the Nazis were developing the atomic bomb. The history of the bomb's development is traced through recollections of those who worked on what was known as "the gadget."

In 1995, former KGB Major General Oleg Kalugin and ex-CIA Director William Colby collaborated in an unexpected way. They made a video game. The Great Game traces how both men rose to the tops of their fields following World War II, before falling out of favor with their respectives agencies — on opposite sides of the Iron Curtain. For Kalugin, a growing discontent with the KGB’s treatment of Russians radicalized him against the institution. Meanwhile William Colby, an OSS operative and the CIA’s man on the ground in Vietnam, was fired by President Ford after testifying before Congress about controversial CIA programs like MKULTRA and CoIntelPro. After the fall of the Berlin Wall, both living on American soil, Colby and Kalugin played themselves in Spycraft, a multi-million dollar game that was among the most advanced of its time — and is now almost entirely forgotten.

Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

This documentary talks to women training with machine guns, to undergraduates taking courses in How to Stay Alive, to retired generals who run schools for mercenary killers, and to self-appointed clergy who say their native America has "gone soft on the Devil and the Reds" and has become a "Disneyland for Dummies".

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.

This documentary explores famous figure J. Robert Oppenheimer, an American theoretical physicist who was called, "father of the atomic bomb" for his role in the Manhattan Project.

Three decades after the nuclear explosion, almost everything has been said about this ecological and sanitary disaster that made Pripiat a part of History. How did the greatest industrial disaster change the course of History, disrupt global geopolitics and, directly or indirectly, redistribute the balances and power relations of the twentieth century? The world will never be the same again. By retracing the incredible battle waged by the Soviet Union against radiation, this film proposes to retrace and enlighten an extraordinary story, while exploring the historical stakes in the medium and long-term…

This was the only documentary made in the aftermath of the atomic bombings of 1945. Japanese filmmakers entered the two cities intent on making an appeal to the International Red Cross, but were promptly arrested by newly arriving American troops. The Americans and Japanese eventually worked together to produce this film, a science film unemotionally displaying the effects of atomic particles, blast and fire on everything from concrete to human flesh. No other filmmakers were allowed into the cities, and when the film was done the Americans crated everything up and shipped it to an unknown location. That footage is now lost. However, an American and a Japanese filmmaker each stole and hid a copy of the film, fearful that the reality of Hiroshima and Nagasaki would be hidden from history. Eventually, these prints surfaced and became our only precious archive of the aftermath of nuclear warfare -- a film that everyone knows in part, yet has rarely seen in its entirety.