A Silent Day(1999)

Unfurl is a minimalist short film composed of six contemplative shots featuring different colored plastic bags placed before a dual-camera setup, presented in split-screen from two contrasting angles. Each sequence begins with Devereaux's hand compressing a bag, then releasing it — allowing the material to slowly expand. The initial release is rapid, but the motion soon settles into a meditative, near-slow-motion unfurling, drawing attention to the subtle behavior of shape, light, and texture. Inspired by a live performance Devereaux witnessed of avant-garde composer Takehisa Kosugi — specifically his act of wrapping a microphone in paper during a performance at the Getty Center's Rajikaru! conference — the film channels a similar spirit of experimental material interaction, silence, and focused perception. Unfurl invites viewers to observe slowness and transformation as a form of quiet performance.

Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of attacks by the Japanese, something new is tried, Construction Battalions (CBs=Seabees). The new CBs have to both build and be ready to fight.

Charlie and Dan have been best friends and business partners for thirty years; their Manhattan public relations firm is on the verge of a huge business deal with a Japanese company. With two weeks to sew up the contract, Dan gets a surprise: a woman he married on a drunken impulse nearly nine years before (annulled the next day) shows up to tell him he's the father of her twins, now seven, and she'll be in jail for 14 days for a political protest. Dan volunteers to keep the tykes, although he's uptight and clueless. With Charlie's help is there any way they can be dad and uncle, meet the kids' expectations, and still land the account?

Kralj, an energetic businessman, unexpectedly gets into trouble: at the same moment both his wife and his mistress start seeing through his carefully constructed lies. It is one of those days when everything goes wrong. This is a story in which people don’t meet or talk, but try to solve their accumulated problems via text messages.

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.

Digital Smoke is an experimental meditation on light, memory, and distortion. Shot at twilight in Minneapolis’s Loring Park, the film captures the moment just after sunset, when street lamps flicker on and reflect across the lake. As Devereaux moves the camera backward and forward, fading light introduces digital noise. Rather than correct it, he amplifies the imperfection, layering light trails until the noise becomes ethereal white clouds—“digital smoke”—that dissolve the boundary between image and abstraction. Frames evoke the hazy textures of J.M.W. Turner and the pixelated aesthetic of early video games, blending painterly romanticism with digital fragmentation.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

Two detectives clash over the hunt for a burlesque dancer’s killer in Los Angeles’ Japanese district.

During the Japanese occupation of Shanghai, Chen Zhen, the star pupil of a recently-deceased martial arts teacher battles a Japanese dojo which seeks the demise of his fighting school.

Ken Takakura stars as Ryoji one of the Aramasa family's loyal lieutenants whao takes the burden of his family being insulted by the Tanuma's family goons, by retaliating on his own. After injuring the head of Tanuma's family, and slaying others along the way, he then surrenders to the law and serves time. Before his last year to serve, the head of the Aramasa family falls ill and decides to retire, Ryoji miss chance to be successor, his old friend is reluctant but accepts. Now this gives the Tanuma family a chance for revenge! But with Tomisaburo Wakayama (Sekine) always having your back, how can you go wrong?

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.