Pour avoir Adrienne(1967)

Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a cross-dresser visit their office.

Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

Props, the stage man, and his assistant at the Orpheum Theater, Plunkville divide their time equally between drinking and attention to duty. Trouble starts when the new acts arrive. The Wiggle sisters, a Hawaiian act, demand the star dressing room but Props turns them down, but relents when Babe, the strong man, and his beautiful wife, Ethel Burton because he is smitten. Once the show begins Props is forever getting in the way of the performers and his bibulous assistant has an unfortunate propensity for dropping the curtain at the wrong moments. Things only get crazier from there.

The enterprising Anton Klapproth runs a flying duck farm in the Eifel, but now he finally wants to experience a real adventure in the big city of Cologne. A visit to a sanatorium for the mentally ill seems particularly sensational to him, as there is certainly a lot going on there with the "Jecken" and would provide plenty of story material for his regulars' table. In return for a loan, Anton's nephew allows his uncle to stay at the Pension Schöller. However, the guests there are by no means mentally ill, just rather eccentric. However, the unsuspecting Anton has a great time, thinking he is in a psychiatric institution.

The Odyssey of director Radomir Belacevic who leaves his native village on his faithful horse named Knight and sets out to the capital trying to put his drama on the National Theatre's program, allegedly backed by foreign investors, too. Seduced by flashy lights of the city and beauty of metropolitan women, his Don Quixotean mission takes a different route and he becomes a modern Ulysses who forgets his roots and assimilates with the urban jungle.

Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.