Carmen and the Reds(1939)

August, 1936. At the beginning of the Spanish Civil War, two soldiers are ordered to take and execute a prisoner, without knowing his identity. During the long journey, the doubt makes both soldiers confront their ideals, which will provoke a change of plans.

Madrid, Spain, 2010. While the whole city follows the national team's successful participation in the World Cup, a group of daring thieves look for a way into one of the most secure and guarded places on the planet.

The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.

In the 1980s, a single mother who fled communist Czechoslovakia has to return to her homeland in order to pay an old debt. The risky trip is upset by unexpected events that bring secrets into the open.

The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.

The gang that created Airplane! and The Naked Gun sets its sights on Top Gun in this spoof. Topper Harley is a talented but unstable fighter pilot with an axe to grind: clearing the family name. His mission is to avenge his father and save a mission sabotaged by greedy weapons manufacturers. He also gets involved in a relationship with Ramada Thompson, a woman with an unusually talented stomach. Hot Shots! makes fun of a variety of other films, from Dances with Wolves to The Fabulous Baker Boys.

World War II is raging, and an American general has been captured and is being held hostage in the Schloss Adler, a Bavarian castle that's nearly impossible to breach. It's up to a group of skilled Allied soldiers to liberate the general before it's too late.

Idealistic young man supports the party and the new Yugoslavia's communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what's right and what's wrong.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

'Malo Misto' lives its own life, but not far behind the times. Hotel manager Roko Prč strives to organise tourism, so he introduces the first nudist beach. His wife Anđa brings two of her cousins from the Dalmatian hinterland and demands Roko to hire them. One of them, a young man named Ikan, earns the attention of a beautiful Swedish tourist. From Chile to Malo Misto returned Tonči, nicknamed Servantes, of course, without any money. He fell on the back of his hardworking aunt Keka, who even without him has enough problems of her own. Servantes also experiences an unexpected romance.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.