Mickey Mouse Disco(1980)

Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Professor Owl gives a lecture on the evolution of Western musical instruments, starting with the advent of rudimentary brass, woodwind, string and percussion instruments by ancient cave dwellers at the dawn of history.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

The Righteous Judge recreates the events that surround Jesus in teaching the principles of love, forgiveness and righteous judgment. In the story of the adulteress Jesus confronts the Pharisees with the simple phrase, “let him without sin cast the first stone,” and thereby teaches us of God’s immense mercy and grace. Caiaphas, who unrighteously judges a blind man sinful, is contrasted against the gratitude of the blind man when Jesus freely heals him.

Those who recognize their own sins often rejoice that Jesus would want to help anyone so lost. Three such sinners come to Jesus in need of hope, healing and forgiveness. Weaving together many New Testament stories, this tale shows how Jesus generously extends His mercy to each sinner and lovingly brings the repentant back to the fold.

Father, son, the lighthouse as the center of their lives. Both grow up, the son leaving every day to pursue his studies, then returning to an increasingly elderly father who welcomes him with the same warmth, taking him, as he has always done over the years, to the piano to play together.

Hiccup and friends accompany their mentor, Gobber, on a quest to kill the legendary Boneknapper Dragon.

Kozue loves to stargaze and does so regularly. On a trip to view a meteorite, she happens to meet a boy named Ginga. He has a mysterious ability to discover more information about the stars, which he uses to help scientists with astronomical research. Unfortunately, his life is mostly dictated for him, and when carrying out missions, he must always wear a protective suit. Kozue helps Ginga to gradually take control of his life by encouraging him to make his own decisions.