Yellow Fever(2012)

Twin Blood is an alternate version of Blade and Evil's first battle, with drastically different character and mecha designs from the rest of the series. Blade/D-Boy does not need Pegas to transform and the armor more closely resembles the Radam humanoids from Tekkaman Blade II.

Fritz, now married and a father, is desperate to escape the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one to provide a pleasant distraction. The drug-induced journeys he takes include spells as an astronaut, Hitler's psychiatrist, a courier travelling in hostile territory during a race war, and as a pupil of an Indian guru in the sewers of New York.

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

This expository film shows the mood of European society on the eve of the Second World War while promoting the values of international cooperation. Using the Swiss office of the BBC as an example, the film describes the functioning of radio and presents the possibilities opened by mass communications. After the advent of sound film, Cavalcanti promoted experimentation with sound, and in this connection he was interested in the communicational, organizational, and social aspects of radio.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

Jeffery Robinson's talk on the history of U.S. anti-Black racism, with archival footage and interviews.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

A newscaster is due to go live on local television in the middle of a hot flash, in Thea Hollatz's animated comedy about a woman trying to keep her cool when one type of flash leads to another.

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.