Dying To Live(2014)

Shortlisted for the 92th Academy Award for Best Animated Short Film, Mind My Mind has come a very long way. The first idea originates from 2009, and production started back in 2013. This making-of includes an in-depth interview with writer/director Floor Adams about the ideas behind the film, early artwork, shot progressions, behind-the-scenes footage of voice actors and foley recordings, and a selection of Floor's personal videos of key moments that happened during the production. (CinéTé Filmproduktie)

"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?

A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

A car with a loudspeaker on its roof is driving through southern Lebanon. The old man at the wheel is calling for people to join a demonstration to support their brothers and sisters who’ve occupied a tobacco company and are now being besieged by the army. His words come from the past, as he’s referring to events from 1973 – events that few remember today. Neither the protests made by the tobacco farmers from the south against the large landholders’ monopoly nor the strike for better working conditions by workers at a Beirut chocolate factory are anchored in the country’s collective memory. All recollection of this social movement was erased by the civil war and society has since been marked by deep sectarian divisions.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

Using text from Mexican novelist Carlos Fuentes and ancient Aztec and Mayan poetry, viewers are lead on a visual journey through this country's rich and varied past and present. Stunning images and a dramatic musical score by Daniel Valdez create a vivid, insightful portrait of the Mexican people and their culture

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.