This Is China(1946)

Paul Grignon's 47-minute animated presentation of "Money as Debt" tells in very simple and effective graphic terms what money is and how it is being created

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

A documentary about Caroll Spinney who has been Sesame Street's Big Bird and Oscar the Grouch since 1969. At 78-years-old, he has no intention of stopping.

Young Masters is an original series commissioned by NOWNESS China focusing on traditional Chinese cultures, and how they continue to be defined by a new generation of the country's youth. Its first episode, Young Masters: Bajiquan, spotlights Wu Hao (吴昊), a young man in his twenties from Hebei province who is a stalwart practitioner of Bajiquan—a traditional Chinese fighting style known for its graceful stillness and sudden moments of targeted and ferocious violence. Director Haonan Shen traveled to the Mengcun Bajiquan International Training Center to profile Wu Hao whose paternal ancestor Wu Zhong (1712–1802) was the first recorded Bajiquan teacher. In this evocative portrait of a young man’s passion for sharing his family’s rich heritage, we get up close and personal with the violent elbow strikes, staff jabs, fierce rising and firm falling stances that characterize the martial art.

Anyone who sits in a tractor all day has a lot of time to think. Jürgen gave up fattening bulls when he took over the farm and set up a contracting business - where there used to be animals, there are now machines. The single father continues to work day in, day out, weighed down by economic constraints, social expectations and strokes of fate. He says: “Every dad in agriculture wants his son to carry on at some point.” But what if his son is ill?

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

Its hard to explain the full depth and breadth of the depravity of the pharmaceutical industry, the medical research industry, and the federal government. This film does a pretty good job. Hang on to your hat. The model for modern biological warfare was "discovered" during the conquest of the Americas and has been repeated over and over again.

Short film directed by Walter Knoop

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.