The moon and two owls sing to the Blue Danube Waltz, celebrating the night. Moths dance around a candle flame, fireflies glow, frogs chorus, and so forth.
A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
A minstrel, barred from entering a castle, is given a magic flute that can manipulate movement.
A scarecrow is trying to protect two birds from a cunning cat.
Sara helps her little brother Tomas to overcome his fear of the monster under the bed, but it is harder to protect him from his violent and authoritarian father.
Edgar Allan Poe’s ill-fated hero meets his double.
Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.
Anna wants to share her chocolate cake with her friend and ends up living an adventure through the forest, where the terrible bearded giant is the new inhabitant. In fact, all the animals that she meets are disappearing. Does the giant need company?
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
