Gustav J.(1973)

A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler. The film exists in a shortened, four-screen version as well as a one-screen, full-length document.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

Blacksmith is a 15-minute poetic documentary that highlights the work of Rob Flurry, the resident blacksmith at the Spindletop-Gladys City Boomtown Museum in Beaumont, Texas.

Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.

Documentary film showing authentic Lithuanian traditions & rituals during major seasonal festivals: Winter solstice, Mardi Gras, Easter, Midsummer.

Does Europe also have its own animistic heritage, like Pachamama in South America and Shinto in Japan? If so, which one? In the Misty Lands, i.e. Estonia, Latvia and Lithuania, a sacred fire is lit on the winter solstice to celebrate the return of the sun and ancient beliefs that have been forgotten in the rest of Europe for thousands of years. Sophie Planque and Jérémy Vaugeois decided to take a journey on bicycles to experience the Baltic winter and meet the people who keep their ancestral culture alive. A unique heritage that reinforces a deep relationship with nature.

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?

Written and directed by Jason Young (Animals, Inside Time), Gun Killers takes us into the rural, secluded paradise that retired blacksmiths John and Nancy Little call home. As the tranquil light of a typical day of harvesting vegetables descends into night, we experience the secret work that John and Nancy are sometimes called upon to undertake for the RCMP.

This is the first documentary about the singer Marijonas Mikutavičius. Marijonas Mikutavičius, who is celebrating his fiftieth birthday this year, has been on stage since he was 18 and his song "Trys milijonai (Three millions)" has been called Lithuania's second national anthem. In the film, director Eimantas Belickas allows the viewer to be with Marijonas in his intimate surroundings, without the mask. As one of the country's most popular singers, Marijonas is a man, a father, a Lithuanian citizen, just like many of us. The viewer can see this clearly in the film, but at the same time it becomes clear that creativity makes the singer a unique personality.

Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.