The Fargo Phantom(1950)

Country-western favorite Roy Acuff and his Smoky Mountain Boys star in the Columbia musical western Smoky Mountain Melody. Not much happens plotwise: Acuff, playing "himself," is a tenderfoot who somehow manages to come out on top when he heads westward. The villains (who aren't all that villainous) try to promote a phony stock deal, but Roy and his pals foils their plans. The comedy honors go to Guinn "Big Boy" Williams as a blowhard sheriff. Smoky Mountain Melody was scripted by Barry Shipman, the son of pioneering female filmmaker Nell Shipman.

An Arizona teacher (Noah Beery Jr.) saves a vaudeville star (Martha O'Driscoll) and her troupe from a bandit (Leo Carrillo).

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.

Stick-figure animation makes for a witty genre send-up of the Western.

A teacher tells a student the story of five cowboys that find what could be the key to saving their ranch.

Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.

Musical western short

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

In a wild west community populated entirely by residents with dwarfism, the Larson and Preston familes have been in a generations-long feud, recently strained by the actions of cattle rustler and overall devious criminal Bat Haines. Buck Larson, the hero of our tale, takes on Haines, and tries to win the heart of Nancy Preston while resolving the tensions between his and her families.

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.