Islands of Forgotten Cinemas(2016)

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Standing almost alone in the great Southern Ocean, South Georgia island plays host to some of the largest concentrations of animals anywhere on Earth during the spring and summer months. This is the story of these vast animal cities, and of the order that lies beneath their seeming chaos.

A young lad solo traveling to the end of Thailand hidden Gem Island known as Koh Kood. A fiery of storms and uncontrollable waves appear while departing off this island after a couple of nights of unimaginable paradise, beautiful landscapes, sceneries and breathtaking adventures.

Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

A funny walk through the life story of Billy Wilder (1906-2002), a cinematic genius; a portrait of a filmmaker who never was a boring man, a superb mind who had ten commandments, of which the first nine were: “Thou shalt not bore.”

Rügen is the largest island of Germany. Located off the Baltic Sea coast of Western Pomerania, two thirds of its area is protected. The green beech forests of the Jasmund National Park are considered an original virgin forest that is unique in Europe and are part of the UNESCO World Heritage. The white chalk cliffs, which can be seen from afar, are the island's distinctive symbol and were immortalized in the paintings of Caspar David Friedrich more than 200 years ago. On the small island of Vilm, which belongs to Rügen, there is another core area of nature conservation with a 500-year-old, untouched beech forest. Within sight of this refuge, organic farmers are trying to bring more diversity back to the fields. Small-scale agriculture with a great diversity of species has emerged between hedges, tree islands and biotopes. The documentary shows Rügen's natural treasures and introduces different people who have found their home here and are fighting to preserve nature.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.

A documentary celebrating 25 years of flemish subsidised cinema.

Previously a central part of communal life, the movie palaces of New York’s Chinatown are now extinct. This documentary short takes us inside the title theater located on the Bowery, as it’s about to close its doors, with its caretakers ruefully looking back at the life that once was. Eric Lin’s poignant first film serves as a glimpse into the usually private—and, according to the Music Palace’s projectionist, “lonely”—operations of a theater, and mourns the loss of a once-vital movie-going locale.