Law of the Valley(1944)

Supernatural events on the range prompt an investigation by cowboy Brown in this western.

In 1890s Seattle, a deputy marshal and his female partner set out to bust up a ring that kidnaps teenage girls and sells them into prostitution.

At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.

A prospector discovers natural cement and suggests it should be used for a new dam. But this is the last thing the badmen of Trail End want, as they have a monopoly of the wagons needed to haul rocks to the site. A pretty sheriff notwithstanding, it's a job for a singing marshal.

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

Taylor's men are robbing incoming supply wagons to enable Taylor to sell goods at inflated prices. The Vigilantes led by Frank Jackson are doing the same so the ranchers won't starve. Marshals Lash and Fuzzy arrive to try and find the real culprits.

Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.

US marshal Len Merrick saves Tim Keith from lynching at the hands of the Roden clan, and hopes to get him to Santa Loma for trial. Vindictive Ned Roden, whose son Ed was killed, still wants personal revenge, and Tim would like to escape before Ned catches up with him again. Can the marshal make it across the desert with Tim and his daughter? Even if he makes it, will justice be served?

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.