What We Started(2018)

Mark Hunter, a lonely high school student, uses his shortwave radio to moonlight as the popular pirate DJ "Hard Harry." When his show gets blamed for a teen committing suicide, the students clash with high school faculty and the authorities.

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

An inside look into one night in the San Francisco underground rave scene.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

Tiësto in Concert is a performance of Tiësto's concert on May 10, 2003, at the Gelredome in Arnhem, Gelderland, Netherlands, when he performed before an audience of over 25,000 people. The concert was divided into parties with live performances by groups, bands and artists representing a country, which in turn represented a continent. It begins with a presentation by Tiësto followed by a live performance by Andain who presents to Britain and Europe. Then, a group of carnival Sanba presents to Brazil and South America. The singer's live performance and band Dinand Woesthoff presents "The Star-Spangled Banner" to the United States. The Chinese group Orange Studio performs the theme "Tiësto in Concert Asia", presented to countries there. After a live performance by singer Jan Johnston, Omar Ka & Fula Band presents to Africa, and finally, the live performance of Jerry de Jonge & Beijerink presents to Australia and Oceania. A Bluray version with the Director's Cut was released in 2012.

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

The experience shared by four first-timers demonstrates how Burning Man dissolves the barriers between races, nationalities and economic classes. A beautiful piece of film-making which inspires and entertains as it provides some understanding about why people return year after year.

Witness the rise and fall of The Warehouse, a rave venue from Plymouth and times gone by now reduced to a derelict shell. We explore its history, its people and the future. An amateur filmmaker-explorer finds the building in an empty derelict state, long after the prosperous life and energy it endured through the 90s. Through a combination of archives and stories of people who lived there, the film explores through the medium of analogue what once was and how even a now silent derelict shell can become the centre of the universe.

Modern Amazons are fierce heroines. They are ready to fight for what is important to them. Without explaining, without compromising, always persisting. They fight for victory in the ring for acceptance, and too, for fellow sufferers and humanity.