Namus Kanla Yazılır(1966)

This is the story of a young man who rebels against the Agha class in the east side of Turkey. The story ends with the death of the young man, who remains in the little girl he left an orphan and the young widow who is passionately in love with him.

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

The film is the story of girl Cveta who was abducted by the Ottoman bey and taken away in his harem. Bey is trying to embrace Islam, but its persistence, and its neighbors led beloved Spasa, and beloved local priest, assisted by diplomats of the great powers manage to free themselves. On the day of her wedding comes Bey with his army to try to get it back. Cveta dies, Spasa killing Bey and and goes to the committees.

Orhan (Orhan Günsiray) works as a minibus driver for living. One day he comes across Hacer (Evrim Fer) and they fall in love. Still Hacer's father has quite a different vision of his daughter's future...

The film tells the relationship of a young man working at the shipyard and his girlfriend who gets pregnant.

A Turkish folk singer goes on a tour and falls in love with one of his young fan in İzmir. He later finds out that her sister also has a crush on him.

A man who wants to raise his daughter, Aysegul, away from modern life moves to a mountain with his daughter. One day a handsome, bankrupt man comes to mountains. Aysegul falls for him, which led her to join the corrupt modern life.

A medieval nun's convent is the only refuge for women trying to escape from Turkish raiders looking for slaves. But the beautiful mother superior is actually in league with the raiders and her convent is no refuge but a secret market for the beauties who also succumb to her wild desires.

A dramatised documentary about the life of Rumi, a Persian mystical poet whose images of universal love and divine mystery continue to be celebrated more than 700 years after his death.

Following the death of her taxi driver father, Nebahat has to choose between poverty and being a driver herself. Despite the troubles caused by her fiancé, his mother, rascal drivers and the owner of the cab she chooses to become Nebahat the Cabbie.

Released from jail after a twenty-year stretch, Nazim returns to Istanbul to find life in turmoil, his family life ruined, and has to deal with a series of personal disasters in the process.

Murat is disowned by his father because of a trap set by his stepmother. One day, he rescues a girl named Kezban from bandits. From Kezban, he learns about the oppression Celal Ağa has inflicted on the villagers. Settling in one of the abandoned houses in the village, Murat engages in a struggle with the agha's men. It becomes clear that Murat's sole purpose is not to protect the villagers from the agha when he confronts Celal Ağa. The scar on the agha's face will remind Murat of the oath of revenge he swore in the past.