Fukushima, une population sacrifiée(2012)

Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.

In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.

Oscar-winning composer Ryuichi Sakamoto weaves man-made and natural sounds together in his works. His anti-nuclear activism grew after the 2011 Fukushima disaster, and his career only paused after a 2014 cancer diagnosis.

In the aftermath of the 3.11 Fukushima Daiichi Nuclear Power Plant accident, the Japanese government began implementing a large-scale decontamination effort to clean up the radioactive materials. A mother, a farmer, a community leader, an evacuee - hear how the clean-up effort has been carried out around their lives and what their hopes are for the reconstruction of Fukushima.

30 years after the Chernobyl catastrophe and 5 years after Fukushima it is time to see what has been happening in the “exclusion zones” where the radioactivity rate is far above normal.

A powerful documentary that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that immediately followed. A powerful documentary - shot from March 11th, 2011 through March 2015 - that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that followed.

In 2011, a catastrophic nuclear disaster forced the immediate evacuation of Fukushima, Japan. This documentary follows an international team of scientists using hundreds of cameras to track and investigate the astonishing wildlife that now thrives in this deadly radioactive environment.

In March 2011, Japan was struck by a catastrophic earthquake, with the devastating tsunami that followed causing a meltdown at the Fukushima nuclear power station that sent ripples of discontent throughout the country. Director Iwai Shunji's Friends after 3.11 (2011) is a deeply personal documentary which uses the statements of some of his closest friends to express the views of a society in a state of political despondency.

The Japanese population’s reaction to the catastrophe of March 2011 has been described as “stoic” by the Western media. The Japanese code of conduct is indeed deeply rooted in their Buddhist traditions, and young filmmakers Tim Graf and Jakob Montrasio observe in detail what this means for the people and their religion. At graveyards, in temples, at monasteries and with families, they question the impact this triple affliction has had on the lives and beliefs of the inhabitants. How deeply do their beliefs affect their grieving? What role do the monks play in assisting people with their grief? And, what effects has this enormous catastrophe had on their religious rituals? SOULS OF ZEN inserts the events of March 2011 into the context of traditional Zen Buddhism, examining Japan’s religiousness and the beliefs of those practising it at a crucial turning point.

After the 11 March 2011 tsunami and nuclear disaster, residents of Futaba, a town in Fukushima Prefecture, are relocated to an abandoned high school in a suburb of Tokyo, 150 miles south. With a clear and compassionate eye, filmmaker Atsushi Funahashi follows the displaced people as they struggle to adapt to their new environment. Among the vivid personalities who emerge are the town mayor, a Moses without a Promised Land; and a farmer who would rather defy the government than abandon his cows to certain starvation.

Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.

The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.