Move On(1917)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

When Sir George Redway, a famous actor, makes the public boast that he loves babies, a baby is promptly abandoned on his doorstep, and he is forced to take it in. Katie O'Connor, an actress who has auditioned unsuccessfully for a part in a production featuring Redway, pretends to be the child's mother in order to be near the actor. Complications develop involving Lillian Angel, Redway's fiancée, her admirer Captain Fluffy Faversham, and Katie's father, who suspects the worst of Sir George and his daughter. Eventually, the real mother of the baby returns to collect her child, all is resolved, and romance blossoms between Katie and Sir George.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

Two troubled men face their terrible destinies and events of their past as they join together on a mission to find the Holy Grail and thus to save themselves.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

A private detective engages in a sexually-charged relationship with a real estate broker.

Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

It's just a plain brown package, but everyone wants it. A classic MacGuffin in an existential Noir about role, identity, and desire.

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

Forced by his son's birthday wish, fast-talking attorney and habitual liar Fletcher Reede must tell the truth for the next 24 hours.

Two women, one American and one British, swap homes at Christmastime following bad breakups. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.